Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Osman Hamdy Bey
La Porte de la Grande Mosquee Brousse (mk32)

ID: 25108

Osman Hamdy Bey La Porte de la Grande Mosquee Brousse (mk32)
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Osman Hamdy Bey La Porte de la Grande Mosquee Brousse (mk32)


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Osman Hamdy Bey

Turkey, born 1842 - died 1910  Related Paintings of Osman Hamdy Bey :. | Old Man in front of a Child's Tomb. | Jeune fille disposant des fleurs dans un vase (mk32) | Old Man before Children's Tombs | The Tortoise Trainer | Paysage a Gezbe (mk32) |
Related Artists:
Louis Welden Hawkins
British 1849-1910 Louis Welden Hawkins Galleries Louis Welden Hawkins was born in Germany ( 1 July 1849 ). His mother was an Austrian Baroness, his father Englishman. Hawkins moved soon to France and took later French nationality. Hawkins attended the famous Acad??mie Julian in Paris. Hawkins became famous after his expositions in the Salon de la Societe des Artistes Francais. His first work was shown in the Salon in 1881. After that, expositions followed at the Salon de la Societe des Beaux Artes (1894-1911), the Salon de la Rose-Croix (1894-95) and La Libre Esthetque in Brussels. He spended his last years in Brittany, where he painted mostly landscapes. Louis Welden Hawkins died in 1910 and was honoured a year later at the Salon Nationale.
Petrov-Vodkin, Kozma
Russian Painter, 1878-1939
GILLOT, Claude
French Painter, 1673-1722 French draughtsman, printmaker and painter. He was the son of an embroiderer and painter of ornaments, who doubtless trained him before he entered the Paris studio of Jean-Baptiste Corneille about 1690; there he learnt to paint and etch. In 1710 he was approved by the Academie Royale; he was received as a history painter five years later, on presentation of the Nailing of Christ to the Cross . Although he painted other elevated subjects, including a Death of the Virgin (1715; untraced) for his native Langres, he was most active as a draughtsman and printmaker specializing in theatre and genre scenes, as well as bacchanals and designs for decorations. Gillot's principal source of inspiration was the popular theatre; he is said to have run a puppet theatre, to have written plays and once to have been in charge of sets, machinery and costume for the opera. This interest was to have a profound effect on the art of his principal pupil, Antoine Watteau






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